The Best of The Sundae #5

Self-congratulation is gauche, but as long as we’re doing it anyway: it’s pretty unbelievable we managed to stick so rigidly to our “no hot takes” policy in a year that featured the most consistently hot topic of our lifetimes. Amazon literally released a show about a pandemic caused by a bat virus jumping to humans, seemingly as a result of a vast conspiracy by liberal elites, and we just had to be like, nah, not gonna write about that. Expect our frigid coronavirus takes circa 2030.

Instead, we wrote what we’ve always written: deep dives into movies and shows that stick in our brains for months or years, screeds against the state of the entertainment industry and essays about the way we understand and misunderstand art. We also published great pieces from guest contributors and started our very own podcast, The Sundae Presents, where we take turns showing each other favourite films of ours the other hasn’t seen.

For long-time readers, this is our year in review. For newer readers, this is our sizzle reel. And if you’re here for the first time, this is a pretty good look at what we’re all about, as are the previous four times we’ve done this, so check them out.

Here’s the best of The Sundae so far since last so far.

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Speed Racer: The Sundae Presents Episode 4

Ciara and Dean co-host The Sundae Presents, a podcast in which each of us makes the other watch films they haven’t seen. This episode, Dean shows Ciara his favourite film released in his lifetime: the Wachowski Sisters’ 2008 children’s action blockbuster Speed Racer. They talk about digital effects, sensory overload and whether blockbusters can be anti-capitalist.

Speed Racer The Sundae Presents

we also mentioned: “In Defense of Disco” by Richard Dyer || Sean T. Collins on Speed Racer‘s “fossil-free future” || Lazy Town || Chapo Trap House’s Avatar episode || Speed Racer Is Not an Art Film

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Speed Racer Is Not An Art Film

The air crackles with potential. A change is coming. I see it on the horizon. Hope is home to roost at last. The tide is about to turn. I know the signs. People in Film Twitter ask some question – What film would you make everyone else in the world watch? What film would you take into the bunker with you if the bombs fall? – and ever more people give the same answer as me.

Speed Racer.

But it’s not just Speed Racer – it’s everything that writer-director team Lilly and Lana Wachowski do. People who never mentioned Sense8 in their life outed themselves as viewers in their hundreds when it was cancelled. The Matrix was never out, but it’s back in, and even the sequels are getting more appreciative second looks. I see gifs of Jupiter Ascending used in non-ironic contexts, and all of a sudden people remember that Bound exists. When my favourite film magazine took suggestions for future issues, I scream-tweeted “WACHOWSKIS ISSUE PLEASE” and six people liked it, only one of whom co-runs this blog. I knew it would happen, but I didn’t realise it would happen this soon.

The Wachowskis are on the verge of a critical rehabilitation.

Please don’t fuck it up by calling Speed Racer an art film.

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