Speed Racer: The Sundae Presents Episode 4

Ciara and Dean co-host The Sundae Presents, a podcast in which each of us makes the other watch films they haven’t seen. This episode, Dean shows Ciara his favourite film released in his lifetime: the Wachowski Sisters’ 2008 children’s action blockbuster Speed Racer. They talk about digital effects, sensory overload and whether blockbusters can be anti-capitalist.

Speed Racer The Sundae Presents

we also mentioned: “In Defense of Disco” by Richard Dyer || Sean T. Collins on Speed Racer‘s “fossil-free future” || Lazy Town || Chapo Trap House’s Avatar episode || Speed Racer Is Not an Art Film

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Speed Racer Is Not An Art Film

The air crackles with potential. A change is coming. I see it on the horizon. Hope is home to roost at last. The tide is about to turn. I know the signs. People in Film Twitter ask some question – What film would you make everyone else in the world watch? What film would you take into the bunker with you if the bombs fall? – and ever more people give the same answer as me.

Speed Racer.

But it’s not just Speed Racer – it’s everything that writer-director team Lilly and Lana Wachowski do. People who never mentioned Sense8 in their life outed themselves as viewers in their hundreds when it was cancelled. The Matrix was never out, but it’s back in, and even the sequels are getting more appreciative second looks. I see gifs of Jupiter Ascending used in non-ironic contexts, and all of a sudden people remember that Bound exists. When my favourite film magazine took suggestions for future issues, I scream-tweeted “WACHOWSKIS ISSUE PLEASE” and six people liked it, only one of whom co-runs this blog. I knew it would happen, but I didn’t realise it would happen this soon.

The Wachowskis are on the verge of a critical rehabilitation.

Please don’t fuck it up by calling Speed Racer an art film.

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