It’s been a pretty weird Oscar season. If you asked me a couple of months ago if The Wife would be on-lock for an Oscar, I would have said, “What the hell is The Wife?” If you asked me if a foreign language film released on Netflix would be a serious contender for Best Picture, I would have said, “Maybe in ten years?” And that’s not even getting into all the crazy announcements and immediate backtracks: Best Popular Film, not performing all the Original Song nominees, presenting awards for such unimportant cinematic arts as cinematography and editing during the ad breaks.
Still, lots of great films came out this year – even though that can be awkward to define if you don’t live in America. We’ve decided it means “films that came out in 2018 in Ireland unless they were eligible for the Oscars last year as well as films that came out in 2019 in Ireland if they were eligible for this year’s Oscars.”
We can’t really claim that these are what we think should have been nominated at the Oscars, or should win, since we can’t even be sure if any film that wasn’t nominated was eligible. But if we were the only two members of the Academy, and we only cared about the eight major awards – we care about most of the others (except for the fake awards like Best Original Song) but this post would be absurdly long if we picked those too – this is what you’d get: the Sundae Film Awards 2019.
We each did out our personal nominees and then selected the winner by consensus, so the winners only come from films that both of us have seen and nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each picked a Special Achievement Award for something not covered in the major categories. You can see each of our full slates of nominees at the bottom of this post, which we encourage you to check out if you’re looking for recommendations.
Continue reading “The Sundae Film Awards 2019”
Check out The Sundae’s 2017 in films that didn’t come out in 2017 here.
There’s a huge pressure on anyone who wants to talk or write seriously about film to pretend as if they’ve already seen every great film ever made, whether in the form of a self-imposed anxiety or others dismissing your opinions because you haven’t seen X or Y. This is silly, obviously, because no-one has seen every great film ever made: the last time anyone could conceivably watch every film ever was in the early 1930s, and here in the present, it would take someone years to work through the established canon of great American cinema – let alone the cinema of every other country, experimental and avant-garde filmmaking, and all the great films (and okay films) that have gone unnoticed or unrecognised.
But that’s no reason not to try. Sometimes when people reject the pressure to pretend to have already seen every great film, they throw the baby out with the bathwater and reject a desire to try to catch up all the great films they haven’t seen, as if boldly declaring that you will never watch Casablanca is anything but a tragedy. It’s looking at the whole thing backwards.
The joy of accepting that you’ll never see every great film ever made is realising that there will always be more great films that you’ll get to see for the first time.
In February, we’ll go through our favourite new releases of the year when we post the third annual Sundae Film Awards. But looking back on the year in film shouldn’t just mean looking back at what came out this year. 2018 is the year Ciara got into westerns and Michael Moore documentaries, the year Dean watched A New Leaf again and was like, oh no, wait, this is great. So here are some of the best films we saw in 2018 that didn’t come out in 2018.
It’s no big deal if you haven’t seen them, but we definitely recommend checking them out.
Continue reading “2018 in Film(s That Didn’t Come Out This Year)”
It’s been over a year since we first took a look back at our work and picked the best of it for your easy reading pleasure. A lot has happened since then. We’ve gone through two whole Oscar and Emmy cycles. We each had an essay published in Bright Wall/Dark Room – Dean on Blade Runner and Ciara on Weekend at Bernie’s II. Marvel fired James Gunn due to an alt-right smear campaign and now he’s writing Suicide Squad 2. We were shortlisted for an Irish Blog Award. Jonathan Chait got BOFA’d.
But, most importantly, we kept writing and publishing, and now we have even more stuff to choose from for our second best-of round-up. So, if you’re a long-time reader, here’s an invitation to revisit the classics. If you’re a recent reader, catch up on some stuff you might not have read. And if you’re a brand new reader, take a crash course in what we’re all about.
Here’s the best of The Sundae so far. Again.
Continue reading “The Best of The Sundae #2”
This article is part of the What Pop Punk Gave Me series. Previously, Motion City Soundtrack and the inadequacy of language.
The What Pop Punk Gave Me series is about celebrating a much maligned genre, which frequently takes the shape of in-depth personal reflections on songs, albums or bands. But we also want to zoom out a bit every so often, and take a more sweeping look at this music that means so much to us. So here are some of our favourite works in pop punk, ranging from concept-driven rock operas to gag songs about masturbating. This isn’t a list of the best pop punk albums ever, or a primer on getting into pop punk, or even a list of our definitive favourites. But it is a list of albums that we love and wholeheartedly recommend.
Continue reading “I Know I’m Not Your Favourite Record”
We can’t really claim these are what we think should have been nominated at the Emmys, or should win, since there’s an impossible amount of television to watch in the world. But if we were the only two members of the Television Academy and we could nominate any TV that aired in the most recent television season (from June 2017 to May 2018), and we only cared about the seven major awards in drama and comedy, this is what you’d get.
We didn’t distinguish between limited series and other drama series, since supposed miniseries get second seasons if they’re popular enough (see: Big Little Lies), and regular drama series get rebranded as miniseries when they get prematurely cancelled (see: Dig), while modern anthologies are just regular series that replace narrative continuity with thematic continuity (and some don’t even shed their narrative continuity completely, e.g. American Horror Story, Fargo, Black Mirror). Each of us filled out our personal nominees and then selected the winner by consensus, so the winners only came from shows we’d both nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each gave a Special Achievement Award for something not covered in the major categories – Dean gave the award for Drama, and Ciara gave the award for Comedy.
You can see each of our full slates of nominees at the bottom of the post.
Continue reading “The Sundae TV Awards 2018”
See all the nominees here.
The way people tend to talk about television has a pronounced recency bias: it’s all about watching the new big thing, even if the new big thing quickly turns out to be an empty suit. More television is more widely available than ever now, thanks to the internet, but the overwhelming pressure to keep up-to-date can discourage you from seeking long-finished stuff out.
There’s always been good TV. The idea of “prestige television” has obscured that a bit, but it’s obviously true, and the only reason anyone says otherwise is because the endless glut of Peak TV has created a profound historical illiteracy, especially among young people. We’ve only scratched the surface ourselves, but as long as we’re trying, the least we can do is signpost some shows for anyone else interested in older television. Here are ten shows, covering every decade from the 60s to the 00s, that are just as worthy of your time as whatever Netflix show your friend says you have to watch.
Continue reading “Actually, TV Was Always Good (and You Can Too!)”