2020 in Film(s That Didn’t Come Out in 2020)

Check out previous installments herehere and here.


It goes without saying that 2020 was a bizarre year for films, because it was a bizarre year for everything. But all the same, a lot of insane things happened in the movies this year. Cinemas all over the world closed down and it’s not clear they’ll survive long-term. Several blockbusters that were supposed to draw a billion-dollar box office ended up with a streaming debut, to unclear results. The industry got thrown into such disarray that the Oscar eligibility window was extended and the ceremony rescheduled for April.

By some twist of fate, that’s also when we’ll be looking at the best films of 2020 in the fifth annual Sundae Film Awards. For now, we’d like to look back at some of the gems from throughout film history that caught our attention this year. One of the few upsides to a year in lockdown was a lot of time to watch movies: in our case, literally hundreds. We’ve whittled them down to eight each, from the early thirties through to 2016, covering films as diverse as a war drama about the French resistance, a psychedelic Japanese anime about witchcraft and a documentary about race and class in America through the lens of high school basketball. Check them out and stay tuned for more cold takes from the Sundae in 2021!

Continue reading “2020 in Film(s That Didn’t Come Out in 2020)”

I Know I’m Not Your Favourite Record #2

This article is part of the In Defense of the Genre series. Previously, in praise of Ryan Ross’s Panic! at the Disco. 


Since The Sundae’s infancy in 2017, we have been committed to taking pop punk seriously, whether writing deep-dive examinations of car imagery in the genre or emoting about Fall Out Boy and My Chemical Romance saving our lives. We’ve even been cited in The Atlantic for it, somehow. In all the upheaval of 2020 and COVID, our pop punk series fell by the wayside. To an outside observer, it might have appeared that we said all we had to say.

That couldn’t be further from the truth. We’re just getting started. And so we’re relaunching the series with a look at some of our favourite pop punk albums, running the gamut from the genre’s biggest stars to obscure indie kids, spanning from the genre’s Big Bang in 1994 through to just before The Sundae came into being. We’ve renamed the series In Defense of the Genre, in tribute to the greatest pop punk scholar of our time, Max Bemis. We only hope to contribute as much to the cause.

Continue reading “I Know I’m Not Your Favourite Record #2”

Sundae TV Awards 2020

What a weird year for television. What a weird year to even be talking about television. Set aside the obviously extreme circumstances in which much of this TV season has occurred and still so much has changed. The finales of Orange is the New Black and BoJack Horseman were twin sunsets on the brief moment in time when it seemed like streaming television would be a brave new frontier of ambition, innovation and experimentation, just as the arrival of Disney+ and HBO Max confirmed it would just be another battleground for giant corporations. Disney put so much money behind their FYC campaigns that Ramy (Hulu), What We Do in the Shadows (FX) and even The Mandalorian (Disney+) racked up tons of Emmy nominations out of nowhere. And then, of course, there’s the situation we’re all in, the almost total shutdown of television production, the glut of Zoom episodes we’ve thankfully managed to avoid watching, the insane spectacle of John Krasinski making a good news aggregator YouTube show to raise people’s spirits and then selling the concept to CBS All Access without him attached. The finale of The Blacklist was only half-shot, so they animated the rest of the episode and aired it on actual television.

It feels kind of absurd to look back on this year and talk about how good the television was, but here we are. The Sundae TV Awards 2020. We can’t really claim these are what we think should have been nominated at the Emmys, or should win, since there’s an impossible amount of television to watch in the world. But if we were the only two members of the Television Academy and we could nominate any TV that aired in the most recent television season (from June 2019 to May 2020), and we only cared about the seven major awards in drama and comedy, this is what you’d get. 

You can see each of our full slates of nominees at the bottom of the post. 

Continue reading “Sundae TV Awards 2020”

The Best of The Sundae #4

Another year has gone more or less (it’s less, but it feels like more), so it felt like a good time to look back on the past several months and go “yeah, fair enough, good job to us” and encourage you to read some of the best stuff we wrote so you can go “yeah, fair enough, good job to ye”. We’ve written about good movies and bad movies, good bands that became bad solo acts, excellent television, extremely bad people and one of the most evil corporations in the entire entertainment industry.

For our long-time readers, take a walk down memory lane. For newer readers, catch up on some of our best work. And if this is your first time here, there’s hardly a better place to find out what we’re all about. Except the previous three times we’ve done this, maybe.

Here’s the best of The Sundae so far (again again)2.

Continue reading “The Best of The Sundae #4”

The Sundae Film Awards 2020

This was a really, really great year for film. It was full of reflective elegies by aging masters; sophomore features that delivered on their predecessors’ promise in spades; and at least one or two blockbusters with some guts. There were so many films that could have been contenders any other year – the sweetness of Paddleton, the daring weirdness of Velvet Buzzsaw, the meditative exploration of masculinity in Ad Astra – that just ended up getting squeezed out. I mean, Happy Death 2 U was a masterpiece. Some years it’s hard to scrape together enough nominations in some categories – this year it was heart-breaking to make cuts. This is one of those years that we’ll remember.

The film year, for the record, we define as “films that came out in 2019 in Ireland unless they were eligible for the Oscars last year as well as films that came out in 2020 in Ireland if they were eligible for this year’s Oscars.” Perils of being a film fan outside of North America.

We can’t really claim that these are what we think should have been nominated at the Oscars, or should win, since we can’t even be sure if any film that wasn’t nominated was eligible. But if we were the only two members of the Academy, and we only cared about the eight major awards – we care about most of the others (except for the fake awards like Best Original Song) but this post would be absurdly long if we picked those too – this is what you’d get: the Sundae Film Awards 2020.

We each did out our personal nominees and then selected the winner by consensus, so the winners only come from films that both of us have seen and nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each picked a Special Achievement Award for something not covered in the major categories. You can see each of our full slates of nominees at the bottom of this post, which we strongly encourage you to check out if you’re looking for recommendations. There were so many brilliant films this year, and we only got to award a small fraction of them.

Continue reading “The Sundae Film Awards 2020”

2019 in Film(s That Didn’t Come Out in 2019)

Check out previous installments here and here.


There’s a huge pressure on anyone who wants to talk or write seriously about film to pretend as if they’ve already seen every great film ever made, even as dozens more great, must-see films appear every year. It’s always been there, obviously, but it’s been magnified – like so many futile anxieties – in the age of social media, where showing off your esoteric knowledge of the medium can sometimes seem more like the film nerd version of an Instagram flex than a sincere celebration of film and its history. It creates a paralysing urgency around over a hundred years of art and it’s tempting to throw up your arms and give up. Where do you even start? Just let Disney make the choice for you and shovel whatever focus-tested crap they’re releasing next into your waiting mouth.

That pressure can be exhausting at times, but it’s an argument for logging off, not giving up. We already loved film when we started this blog and we’ve only fallen deeper and deeper in love over the past few years. It’s hard to overstate how much it has meant to us, how much it has enriched our lives to explore this beautiful art form, as practiced across the world over a century of human endeavour.

Beauty is one of the things that makes life worth living and, despite all indications to the contrary, there is an abundance of it. That’s the joy of accepting you’ll never see every great film ever made: there will always be more great films that you’ll get to see for the first time.

In February, we’ll go through our favourite new releases of the year when we post the fourth annual Sundae Film Awards. But looking back on the year in film shouldn’t just mean looking back at what came out this year. 2019 is the year Ciara finally saw Alien, gasped and giggled through her first Jackie Chan movie and got into borrowing DVDs from the library, the year Dean found Tarkovsky on All4, had his heart exploded by Point Break and watched Lillian Gish basically invent screen acting in Way Down East. So here are some of the best films we saw in 2019 that didn’t come out in 2019.

It’s no big deal if you haven’t seen them, but we definitely recommend checking them out.

Continue reading “2019 in Film(s That Didn’t Come Out in 2019)”

The Sundae TV Awards 2019

We can’t really claim these are what we think should have been nominated at the Emmys, or should win, since there’s an impossible amount of television to watch in the world. But if we were the only two members of the Television Academy and we could nominate any TV that aired in the most recent television season (from June 2018 to May 2019), and we only cared about the seven major awards in drama and comedy, this is what you’d get.

We didn’t distinguish between limited series and other drama series, since supposed miniseries get second seasons if they’re popular enough (see: Big Little Lies), and regular drama series get rebranded as miniseries when they get prematurely cancelled (see: Dig), while modern anthologies are just regular series that replace narrative continuity with thematic continuity (and some don’t even shed their narrative continuity completely, e.g. American Horror StoryFargoBlack Mirror). Each of us filled out our personal nominees and then selected the winner by consensus, so the winners only came from shows we’d both nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each gave a Special Achievement Award for something not covered in the major categories – Ciara gave the award for Drama, and Dean gave the award for Comedy.

You can see each of our full slates of nominees at the bottom of the post.

Continue reading “The Sundae TV Awards 2019”

The Best of The Sundae #3

It’s been a banner year for The Sundae and we’re only halfway through. We got a shout out from Todd in the Shadows, took the New Zealand drag community by storm and did an objectively better job of rewarding the best films of 2018 than the Oscars by sheer virtue of not nominating Bohemian Rhapsody for anything. We also wrote some really good shit. And, for the first time ever, our best-of round-up contains two pieces from a pair of fantastic guest contributors.

So, if you’re a long-time reader, revisit some of our greatest hits. If you’re a recent reader, catch up on some stuff you might have missed. If you’re a brand new reader, take a chance on something a little different. And, if you like what you see, drop a tip in the jar so we can continue our mission of publishing independent cultural criticism unbeholden to the hot take cycle, and destroying the Walt Disney Company.

Here’s the best of The Sundae so far. Again. (Again.)

Continue reading “The Best of The Sundae #3”

The Sundae Film Awards 2019

It’s been a pretty weird Oscar season. If you asked me a couple of months ago if The Wife would be on-lock for an Oscar, I would have said, “What the hell is The Wife?” If you asked me if a foreign language film released on Netflix would be a serious contender for Best Picture, I would have said, “Maybe in ten years?” And that’s not even getting into all the crazy announcements and immediate backtracks: Best Popular Film, not performing all the Original Song nominees, presenting awards for such unimportant cinematic arts as cinematography and editing during the ad breaks.

Still, lots of great films came out this year – even though that can be awkward to define if you don’t live in America. We’ve decided it means “films that came out in 2018 in Ireland unless they were eligible for the Oscars last year as well as films that came out in 2019 in Ireland if they were eligible for this year’s Oscars.”

We can’t really claim that these are what we think should have been nominated at the Oscars, or should win, since we can’t even be sure if any film that wasn’t nominated was eligible. But if we were the only two members of the Academy, and we only cared about the eight major awards – we care about most of the others (except for the fake awards like Best Original Song) but this post would be absurdly long if we picked those too – this is what you’d get: the Sundae Film Awards 2019.

We each did out our personal nominees and then selected the winner by consensus, so the winners only come from films that both of us have seen and nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each picked a Special Achievement Award for something not covered in the major categories. You can see each of our full slates of nominees at the bottom of this post, which we encourage you to check out if you’re looking for recommendations.

Continue reading “The Sundae Film Awards 2019”

2018 in Film(s That Didn’t Come Out This Year)

Check out The Sundae’s 2017 in films that didn’t come out in 2017 here


There’s a huge pressure on anyone who wants to talk or write seriously about film to pretend as if they’ve already seen every great film ever made, whether in the form of a self-imposed anxiety or others dismissing your opinions because you haven’t seen X or Y. This is silly, obviously, because no-one has seen every great film ever made: the last time anyone could conceivably watch every film ever was in the early 1930s, and here in the present, it would take someone years to work through the established canon of great American cinema – let alone the cinema of every other country, experimental and avant-garde filmmaking, and all the great films (and okay films) that have gone unnoticed or unrecognised.

But that’s no reason not to try. Sometimes when people reject the pressure to pretend to have already seen every great film, they throw the baby out with the bathwater and reject a desire to try to catch up all the great films they haven’t seen, as if boldly declaring that you will never watch Casablanca is anything but a tragedy. It’s looking at the whole thing backwards.

The joy of accepting that you’ll never see every great film ever made is realising that there will always be more great films that you’ll get to see for the first time.

In February, we’ll go through our favourite new releases of the year when we post the third annual Sundae Film Awards. But looking back on the year in film shouldn’t just mean looking back at what came out this year. 2018 is the year Ciara got into westerns and Michael Moore documentaries, the year Dean watched A New Leaf again and was like, oh no, wait, this is great. So here are some of the best films we saw in 2018 that didn’t come out in 2018.

It’s no big deal if you haven’t seen them, but we definitely recommend checking them out.
Continue reading “2018 in Film(s That Didn’t Come Out This Year)”