The Best of The Sundae #3

It’s been a banner year for The Sundae and we’re only halfway through. We got a shout out from Todd in the Shadows, took the New Zealand drag community by storm and did an objectively better job of rewarding the best films of 2018 than the Oscars by sheer virtue of not nominating Bohemian Rhapsody for anything. We also wrote some really good shit. And, for the first time ever, our best-of round-up contains two pieces from a pair of fantastic guest contributors.

So, if you’re a long-time reader, revisit some of our greatest hits. If you’re a recent reader, catch up on some stuff you might have missed. If you’re a brand new reader, take a chance on something a little different. And, if you like what you see, drop a tip in the jar so we can continue our mission of publishing independent cultural criticism unbeholden to the hot take cycle, and destroying the Walt Disney Company.

Here’s the best of The Sundae so far. Again. (Again.)

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Performing Taylor Swift

Taylor Swift’s ‘Look What You Made Me Do’ received widespread backlash, much of it less to do with music and more to do with a sense that she’s done something morally wrong.  “She claims to have gotten harder, but only comes off as brittle; she says that defeat made her smarter, but sounds as if she’s endlessly smarting,” Frank Guan wrote for Vulture. Maura Johnston, for The Guardian said: “it’s not clear whether she’s playing a role or being herself.” Everything seems to come back, at least implicitly, to Swift herself and her perceived pettiness.

But why are people so mad? I find most of Reputation to be fun and catchy. Assertions, however energetic, that the album is a trash fire haven’t convinced me. What’s more, I’ve been struck by how so many seem mad at Taylor Swift. Not just disappointed in an album they think is sub-par; they’re angry.

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