It’s been over a year since we first took a look back at our work and picked the best of it for your easy reading pleasure. A lot has happened since then. We’ve gone through two whole Oscar and Emmy cycles. We each had an essay published in Bright Wall/Dark Room – Dean on Blade Runner and Ciara on Weekend at Bernie’s II. Marvel fired James Gunn due to an alt-right smear campaign and now he’s writing Suicide Squad 2. We were shortlisted for an Irish Blog Award. Jonathan Chait got BOFA’d.
But, most importantly, we kept writing and publishing, and now we have even more stuff to choose from for our second best-of round-up. So, if you’re a long-time reader, here’s an invitation to revisit the classics. If you’re a recent reader, catch up on some stuff you might not have read. And if you’re a brand new reader, take a crash course in what we’re all about.
Here’s the best of The Sundae so far. Again.
Continue reading “The Best of The Sundae #2”
When I saw mother! in the cinema, I could feel the discomfort of people around me. Shortly before the film ended, I heard a woman declare at the full volume, “Well, that was crap.” It was a big chain cinema in a screen with rows going back to Q or something ridiculous, and it was almost empty.
mother! was given about as wide a release as is possible, and it was buzzy and controversial and starred Jennifer Lawrence, one of the most bankable stars in Hollywood, and besides, it’s a horror film, which are virtually guaranteed to make a profit. But most people will not like mother!, and lots and lots of people hated it. It’s a brave, strange thing, that made me think I can’t believe what I’m seeing in a way that I thought was kind of impossible in the internet age. Every swing it takes is big. And it couldn’t give less of a shit if you don’t like it.
Continue reading “What Is It You Like About This House So Much?”