For over fifty years, since it was pioneered by I Love Lucy, the multi-camera format – three walls, four cameras, taped before a live studio audience – was the beating heart of television comedy. Today, if anyone took a poll of critics, the likelihood of any multi-camera sitcom that debuted after the millennium ranking among the greatest comedies of the century so far would be close to zero.
Continue reading “Whatever Happened to Life in Four Cameras?”
The Sundae 