2018 in Film(s That Didn’t Come Out This Year)

2018 in Film(s That Didn’t Come Out This Year)

Check out The Sundae’s 2017 in films that didn’t come out in 2017 here


There’s a huge pressure on anyone who wants to talk or write seriously about film to pretend as if they’ve already seen every great film ever made, whether in the form of a self-imposed anxiety or others dismissing your opinions because you haven’t seen X or Y. This is silly, obviously, because no-one has seen every great film ever made: the last time anyone could conceivably watch every film ever was in the early 1930s, and here in the present, it would take someone years to work through the established canon of great American cinema – let alone the cinema of every other country, experimental and avant-garde filmmaking, and all the great films (and okay films) that have gone unnoticed or unrecognised.

But that’s no reason not to try. Sometimes when people reject the pressure to pretend to have already seen every great film, they throw the baby out with the bathwater and reject a desire to try to catch up all the great films they haven’t seen, as if boldly declaring that you will never watch Casablanca is anything but a tragedy. It’s looking at the whole thing backwards.

The joy of accepting that you’ll never see every great film ever made is realising that there will always be more great films that you’ll get to see for the first time.

In February, we’ll go through our favourite new releases of the year when we post the third annual Sundae Film Awards. But looking back on the year in film shouldn’t just mean looking back at what came out this year. 2018 is the year Ciara got into westerns and Michael Moore documentaries, the year Dean watched A New Leaf again and was like, oh no, wait, this is great. So here are some of the best films we saw in 2018 that didn’t come out in 2018.

It’s no big deal if you haven’t seen them, but we definitely recommend checking them out.
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Westerns: A Take

Westerns: A Take

I can name for you every western I’ve ever seen. It wouldn’t even be hard. That’s not even close to true about any other genre: I always feel I came relatively late to horror, but the idea of listing all the horror films I’ve seen seems absurd, a job it would be impossible to finish. But I’ve seen, like, fifteen westerns – I’m a total novice, fumbling around in the dark in a genre in which I have yet to grow roots.

But as I slowly, stumblingly get into westerns, I’ve become acutely aware of the gap between the way people talk about westerns and what they’re actually like. The western – especially for people my age, who didn’t grow up watching them on Saturday afternoons – is treated less like an artform than a rhetorical device, and this means, necessarily, reducing a huge, varied film genre to a static set of characteristics. It means assuming that everything westerns were, are or can be fits in a little box.

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