Cancelled Too Soon: Sense8

This article is the part of the Cancelled Too Soon series. Previously, The Booth at the End.


There was a time not that long ago when Netflix could have had an actual identity instead of trying to become all of television by churning out exponentially more content than anyone else. It was a brief moment, between the initial excitement of the binge-viewing boom and the current glut of infinite trash when there were signs that Netflix, whatever else it was, could be the place to find the most innovative and exciting television anywhere in the world. Freed from the content limitations of traditional television, disinterested in dominating the direction of their original series, for a second there, Netflix was making television that was unlike anything else you’d ever seen. Some of it was thematically groundbreaking – Orange is the New Black, BoJack Horseman, Jessica Jones – and some of it was blowing up what we thought television could be as a medium – Lady Dynamite, The Get Down and, more than any other, Sense8.

But now it’s the future and the ones that were redefining the medium are all cancelled and Jessica Jones is gone to shit and Netflix’s brand is just excess for its own sake. When someone tells you about a new HBO show, HBO’s reputation tells you what the pull is: high production values, name actors, writer-driven shows with dark and complex themes. When you hear about a new Netflix show, there’s no sense of what it might be, because you’re already thinking about how you’re not going to watch it because you still haven’t watched the fifty other shows Netflix released in the past twenty minutes.

I mean, you haven’t even watched Sense8 yet, and Sense8 is one of the greatest television shows ever made.

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The Sundae TV Awards 2017

We can’t really claim these are what we think should have been nominated at the Emmys, or should win, since there’s an impossible amount of television to watch in the world. But if we were the only two members of the Television Academy and we could nominate any TV that aired in the most recent television season (from June 2016 to May 2017 — which is why Twin Peaks didn’t sweep), and we only cared about the seven major awards in drama and comedy, this is what you’d get.

We didn’t distinguish between limited series and other drama series, since supposed miniseries get second seasons if they’re popular enough, and regular drama series turn out to be miniseries when they get prematurely cancelled, while modern anthologies are just regular series that replace narrative continuity with thematic continuity (and some don’t even shed their narrative continuity completely, e.g. American Horror Story, Fargo and Black Mirror). Each of us filled out our personal nominees and then selected the winner by consensus, so the winners only came from shows we’d both nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each gave a Special Achievement Award for something not covered in the major categories – Dean gave the award for Drama, and Ciara gave the award for Comedy.

You can see each of our full slates of nominees at the bottom of the post.

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