There’s a scene roughly 20 minutes into Noah Baumbach’s 2015 film Mistress America where Brooke (Greta Gerwig) takes her younger step-sister to-be Tracy (Lola Kirke) to the restaurant she is planning to start. The shutter anticlimactically opens up to reveal an empty, echoey series of rooms. But as Brooke walks through them, she tells Tracy about her vision for the place and it gradually blossoms into life in our minds. “It would be like a community center and a restaurant and a store, all in one… It would be the place that you, like, love to be.” Tracy is whisked away in this vision, thrilled by Brooke’s passionate explanation and the restaurant’s nostalgic name: “Mom’s.”
In a later scene, Brooke pitches the restaurant to her former boyfriend and potential investor Dylan (Michael Chernus). She stammers nervously and fidgets awkwardly as she tries to explain it again: “It’s a restaurant… but also, like, where you cut hair. Can I start over?” Brooke finally gets her time in the spotlight, her potential big break to finally realise her dream, and she chokes.
These two scenes perfectly capture everything about Brooke Cardinas. On first impressions she appears supremely self-confident, delivering a seemingly unlimited stream of entrepreneurial ideas and pithy witticisms that Tracy quickly falls for. Brought together by the imminent wedding of Tracy’s mother and Brooke’s father, Brooke is everything that Tracy, an insecure, rudderless college freshman, aspires to be: driven, wildly-passionate, and unstoppable. A resident of Times Square (where they first meet, Brooke stretching out her arms to yell “welcome to the great white way!”), she is the kind of person who becomes the center of attention in any situation, a confident modern American woman who always appears both one step behind and ahead of everyone around her.Continue reading “Staring into the Great Unknown in Mistress America”