How Christopher Landon Is Reinventing The Slasher Movie [Fangoria]

Slasher movies occupy an unusual position within horror, and within film in general. As a genre, its scope is extremely narrow, yet its formula is endlessly replicable: somebody stabs a bunch of teenagers, culminating in a face-off between the killer and the final girl. Laurie Strode fended off Michael Myers and launched a thousand imitators.

The slasher movie’s peak, both creatively and in popularity, is also when it was most reviled critically. In the 1970s and 1980s, slasher movies were considered the bottom of the barrel, barely inching out pornography in artistic merit (and second only to pornography in VHS rentals). Critics Gene Siskel and Roger Ebert were so disgusted by the original Friday the 13th that they told their viewers to write letters of complaint to its producers and star Betsy Palmer. It’s only in the subsequent decades that slashers have been taken seriously enough to recognize that great slasher movies are great movies, period. Yet simultaneously, the genre has gone into decline.

I wrote about Christopher Landon’s recent run of slasher movies, Happy Death Day, Happy Death Day 2U and Freaky, for Fangoria! (Fangoria!!!) You can read it here.

The Sundae Film Awards 2021

We usually begin these with some reflections on the year that’s been, but you know how the last year has been and it would feel condescending to repeat. Half the films we anticipated we would be writing about this year at the start of last year didn’t even come out, and almost none of those that did got a theatrical release. We usually define the “film year” through a combination of Oscar eligibility, Irish release dates and our own gut feeling about whether a movie is part of a given cultural “season” or not. This year, it’s all gut feeling, so if you’re wondering why I Care a Lot, released February 2021, was eligible, but not Zack Snyder’s Justice League, released March 2021, it’s because we say so.

Just like every year, we gave one award for each of the eight major Oscars: we care about most of the others (except for the fake awards like Best Original Song) but this post would be absurdly long if we picked those too. We each did out our personal nominees and then selected the winner by consensus, so the winners only come from films that both of us have seen and nominated, but we’ve each picked a personal runner-up regardless of whether the other has seen or nominated it. We also each gave a Special Achievement Award for something that doesn’t quite fit the regular categories. You can see each of our full slates of nominees at the bottom of this post, which we strongly encourage you to check out if you’re looking for recommendations. There was a surprising number of great films this year, and we only got to award a small fraction of them.

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