Kramer vs. Kramer: The Sundae Presents Episode 23

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. For the last regular episode of the year, Ciara showed Dean one of her first favourite films, Best Picture winner Kramer vs. Kramer. They talk about whether it’s balanced, whether it’s antifeminist and which of the characters Dean wanted to kill at various points.

Kramer vs. Kramer The Sundae Presents

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I Know I’m Not Your Favourite Record #3

This article is part of In Defense of the Genre, a series of critical and personal essays in praise of pop punk. Previously, a history of pop punk in seven ages.


Breaking news: we still love pop punk! It’s been five years since we started this series and two years since we did one of these album roundups, and we’re very pleased to say we still love pop punk. More, if anything. And after all these years, the rest of the world is finally getting on our level. The pop punk revival is here, it’s queer, and we both had very different reactions to it that are somewhat reflected in this list.

Ciara ventured into the mists beyond Obama’s first term and found so much great pop punk there, she was able to achieve a long-term ambition of this blog by periodising the history of the genre. Dean listened to SOUR a lot and then got really into noughties New Jersey pop punk for some reason. Please enjoy this selection of albums based on both our recent findings and also our many, many years of listening to pop punk.

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Lucio Fulci: So Much More Than The Godfather Of Gore

Lucio Fulci “was sort of an Italian Hershell Gordon Lewis,” Roger Ebert wrote in 1998, dismissing The Beyond as a plotless and dim-witted movie full of bad special effects and worse dialogue. It’s not surprising that Ebert didn’t like The Beyond – he thought Friday the 13th was disgusting enough trash to warrant a letter writing campaign, after all – but what is surprising is how much Fulci’s legacy is framed more or less as Ebert had it, just with a positive inflection.

Ciara wrote about Lucio Fulci’s masterpiece Don’t Torture a Duckling for Fangoria on its fiftieth anniversary! You can read it here.

Spring Breakers: The Sundae Presents Episode 22

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. Dean follows through on his longstanding threat to make Ciara watch a Harmony Korine film, the 2012 black comedy (?) crime drama (?) Spring Breakers. They talk about its grotesque visual excess, James Franco’s repulsive performance and whether the whole film is just a big joke.

Spring Breakers The Sundae Presents

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Halloween: The Sundae Presents Episode 21

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. It’s our second annual Halloween Spooktacular, so Ciara showed Dean the most appropriate movie possible, John Carpenter’s 1978 slasher masterpiece Halloween. They talk about its genre-defining visual style, its iconic kills and whether Dr. Loomis is the worst psychiatrist in the history of cinema.

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White Dog: The Sundae Presents Episode 20

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. Ciara goes “full Dean” by showing him the controversial 80s racism drama White Dog. They talk about its bleak ending, Birth of a Nation, and why the studio sold it up the river.

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The Deer Hunter: The Sundae Presents Bonus Episode 2

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. We have a film emergency! Dean watched The Deer Hunter, so he and Ciara recorded a bonus episode. They talk about its portrayal of Russian-American identity, the controversial Russian roulette sequence, and how much its director loved lying.

The Deer Hunter The Sundae Presents

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Entering The Twilight Zone

Despite the near-constant refrain that this or that season of television is really more like a “ten-hour movie,” the birth of TV as a medium is tied much closer to radio than cinema. Genres that developed on the radio jumped to TV, from sitcoms to soap operas and game shows to police procedurals. Like radio, early television drama was broadcast live, often performed twice, once for the East Coast and again for the West Coast. “Like a child in hand-me-down clothes, television inherited the best and worst that radio had to offer, from the Ed Wynns and Jack Bennys, who made millions of Americans laugh every week, to the blatant commercialism that drove the system,” Jeff Kisseloff writes in the introduction to The Box, his oral history of early TV. “Television did it all, but radio did it first.”

I wrote about The Twilight Zone for Current Affairs. You can read it here!

The Sundae TV Awards 2022

What a weirdly fantastic and fantastically weird year of television we’ve had. We said goodbye to previous award winners Better Call Saul, Better Things and Derry Girls, all of whom represented one of the two dominant themes of the year: good shows staying good. It’s Always Sunny? Still good. Taskmaster? Still good. Ted Lasso? Still good.

But Ted Lasso also represents the other theme: our extreme uncertainty about how to classify many shows as dramas or comedies this year. Some of it was new shows like Peacemaker, or new to us shows like Doom Patrol and Succession, that straddled the divide. But we also had favourites like Ted Lasso that seemed to shift from one to the other. While we put thought into our process and considered qualities like a show’s structure as much as or more than its tone, some of our decisions are likely to feel arbitrary or even absurd to you, reader. All we can say is: deal with it, because we are not explaining or justifying that shit every time.

And with that little bit of housekeeping out of the way, please enjoy as we pass judgement on the last TV season (June 2021 – May 2022). As well as the classic drama and comedy awards, we also have two awards for reality, variety and documentary television, including game shows, professional wrestling and whatever Eric Andre is doing at any given minute. We picked our winners by consensus, so only shows we both watched were eligible to win, but we each picked a runner-up, regardless of whether the other has seen it.

You can find each of our full slates of nominees at the bottom of the post. We recommend checking them out if you’re looking for recommendations.

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