Midnight Cowboy: The Sundae Presents Episode 31

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. Ciara gets to show Dean a film for the first time in months, and it’s a big one: John Schlesinger’s multi-Oscar-winning Midnight Cowboy. They talk about disability, poverty and sexuality, its satire of Andy Warhol’s Factory and how dumb Joe Buck is.

Midnight Cowboy The Sundae Presents

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Saw: The Sundae Presents Episode 30

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. For our third Halloween Spooktacular, Dean shows Ciara one of the most iconic horror films of their adolescene: Saw. They talk about how it riffs on and/or rips off Se7en, the strange politics of John Kramer, and the shadow of the real torture of the Bush administration.

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Tenacious D in the Pick of Destiny: The Sundae Presents Episode 29

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. After months of broken promises and outright lies, it’s here: Ciara and Dean finally dig into Tenacious D in the Pick of Destiny. They talk about the origin of the titular band, its religious epic structure, and why Jack Black swore to never write another film.

Tenacious D in the Pick of Destiny The Sundae Presents

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The Sundae TV Awards 2023

Some years, it can be a bit of a struggle to put together this introductory spiel, and some years the AMPTP has been so cartoonishly evil and buffoonishly overconfident in the face of one of the biggest strikes in Hollywood history that the Emmys were cancelled and rescheduled. In theory, these awards are a counterpoint to the Emmys, and we would usually have posted them a few days ago, the night before the “real” awards. Well, who’s real now, the Emmys? Not you! You’re not even happening ‘til January at the earliest and no one will give a shit because it’ll be Oscar season! You get nothing! You lose!

Fortunately for us, we won’t see the effects of the strike – or rather, the AMPTP’s refusal to give their workers’ fair conditions so long they needed to strike!!! – ‘til next year, because we’re here to pass judgement on the most recent TV season (June 2022 – May 2023). As well as the classic drama and comedy awards, we also have two awards for reality, variety and documentary television, including game shows, professional wrestling and whatever Eric Andre is doing at any given minute. We picked our winners by consensus, so only shows we both watched were eligible to win, but we each picked a runner-up, regardless of whether the other has seen it.

You can find each of our full slates of nominees at the bottom of the post. We recommend checking them out if you’re looking for recommendations.

(Also, we don’t normally say this and it’s never been a problem before, but just so no one can say we didn’t warn them: we thoroughly spoil the shows we write about. If you don’t want to know what happens in the final seasons of Succession and Barry, turn back now!)

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Before Sunset: The Sundae Presents Bonus Episode 7

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. Usually. In a second back-to-back guest episode, the lads are joined by their friend Josh O’Reilly (@snowboiiii on Twitch!) to chat about Richard Linklater’s romance classic Before Sunset. They talk about his collaborative creative process with stars Ethan Hawke and Julie Delpy, the transient nature of memory, and how much Jesse hates his wife.

Before Sunset The Sundae Presents

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I Know Your People, Sean

The Quiet Man is the bogeyman of Irish cinema. Shot on location in County Mayo in the west of Ireland in 1951, it’s both the most significant—and most acclaimed—screen depiction of the country before an indigenous film industry developed in the 1990s, a go-to example of stage Irish buffoonery that Irish cinema has raced away from. When An Cailín Ciúin—the first Irish language film to be nominated for an Oscar—powered itself to the Academy Awards last year, its English title framed it as a reply to John Ford’s fantasy depiction of Ireland: The Quiet Girl

Irish people lay claim to and celebrate The Quiet Man—there’s a whole museum in the village where it was filmed—but just as often, cringe away from it. We anxiously imagine that this is how Americans see us. But the truth is, The Quiet Man is a much bigger deal to us than it could ever be to them.

I wrote about The Quiet Man and John Ford’s complicated diasporic nostalgia for Bright Wall/Dark Room. You can read it here!

Outside Providence: The Sundae Presents Bonus Episode 6

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. Usually. In the first of two more guest episodes, Ciara and Dean are joined by Dr. David Clare to discuss the Farrelly brothers’ lost child, Outside Providence. They talk about its odd place in their filmography, its portrayal of Irish-American identity, and how much Gabriel Mann looks like James Spader in Pretty in Pink.

Outside Providence The Sundae Presents

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Top Gun: Maverick: The Sundae Presents Bonus Episode 5

Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. It’s another emergency episode from our top secret vault! Dean finally got around to watching Top Gun: Maverick, so Ciara finally got to grill him about it. They talk about the original film, the death of the movie star and how Tom Cruise saved cinema.

Top Gun: Maverick The Sundae Presents

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The Cheerfully Dystopian Americana of Hands on a Hard Body

On paper, the premise of Hands on a Hardbody: The Documentary–released twenty-five years ago this week–might sound niche: it documents a 1995 endurance competition where the last contestant to keep their hands on a Nissan Hardbody pick-up truck wins the truck. But on screen, it’s enthralling, an irresistible salted-caramel treat. It is, somehow, both giddy and grim: at once a bite-sized anthropological study of post-Reagan America and the most exciting sports movie not to feature Rocky Balboa. 

A dealership in Longview, Texas has run the Hands on a Hardbody competition for years. The twenty-four contestants are drawn from a raffle because there are so many entrants: you’re only allowed to put your name forward once per day, so prospective hopefuls come back day after day to maximise their chances of being selected. When the selected two dozen arrive on the morning of the competition, the rules are outlined. You must have one hand on the truck. You cannot lean on the truck, or squat; you have to be standing. There is a five-minute break hourly and fifteen-minute break every six hours.  The first time I watched it, I thought six hours seemed like a long time. 

I wrote about Hands on a Hard Body for Crooked Marquee. You can read it here!