Friday Film Showcased, Episode 1: The Heartbreak Kid (1972) | Love’s Labour’s Lost (2000)

A brand new podcast, hot and fresh out the kitchen, hosted by Ciara Moloney and Conor Hogan.

For many years, with regard to their film-watching, Ciara and Conor have been theming their months. For instance:

  • Elaine May May (sic) – films starring, written by, or directed by Elaine May.
  • Darling works (?) of May – William Shakespeare Films.
  • Cartoon June – you know, animated.
  • Soviet (J)Un(e)(ion) – Films from countries that were once in the USSR.

Sometimes the titles of these months are puns, sometimes alliterative. Sometimes, it is awful strained altogether (see above). But it has always been fun. Or at least I hope so. They’ve been doing it long enough!

In the inaugural (that means first) episode of FFS, Ciara and Conor discuss their May film seasons (Elaine May and William Shakespeare), and Showcase two in particular.

Spoiler: It’s the two films in the title of this episode. Watchlist:

Elaine May: https://letterboxd.com/hoganassasin/list/elaine-may-may-sic/

William Shakespeare: https://letterboxd.com/hoganassasin/list/darling-works-of-may-shakespeare-watched/

You can listen to it here:

Episode 1: The Heartbreak Kid (1972) | Love's Labour's Lost (2000) Friday Film Showcased

And you can even listen to it accompanied by the soothing sounds of a Crackling Fireplace. Relaxing!

Crackling Fireplace Edition – Episode 1: The Heartbreak Kid (1972) | Love's Labour's Lost (2000) Friday Film Showcased

Listen and subscribe on: Spotify (with fireplace) || Apple Podcasts (with fireplace) || Amazon Music (with fireplace) || Castbox (with fireplace) || Pocketcasts (with fireplace)

Mentioned in the podcast

Jeffrey Salkin article on The Heartbreak Kid: https://religionnews.com/2021/05/20/charles-grodin/

Michael Sragow on Tootsie: https://www.criterion.com/current/posts/3404-tootsie-one-great-dame

Kenneth Branagh and Love’s Labour’s Lost cast on Charlie Rose: https://charlierose.com/videos/19196

Ciara’s article in Ishtar: https://thesundae.net/2019/10/28/you-should-watch-ishtar/

Scenes from a Mall (1991): https://www.imdb.com/title/tt0102849/

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Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. This episode, Ciara makes Dean finally watch Winter Brothers, the debut film of their favourite Icelandic director, Hlynur Pálmason. They talk about its desolate landscapes, haunting ambiguities and floppy dicks.

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Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. This episode, Dean makes Ciara watch a fourth film shot in his hometown, an Arthurian epic by Exorcist II director John Boorman: Excalibur, which features zero locust POV and tons of before-they-were-famous casting. They talk about Cahir Castle, Gabriel Byrne’s soap opera career, and what are movies even supposed to be like, anyway?

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Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. For the first episode of the year, Ciara chose John Ford’s late career masterpiece The Man Who Shot Liberty Valance as Dean’s third encounter with both Ford and John Wayne. They talk about its unusually unscenic take on the frontier, the role of violence in politics, and how it reflects on the western’s place in American culture.

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The Sundae Presents trailer

2024 is gonna be jerkin’. Keep your eyes peeled. Or your ears, I guess.

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Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. In our Christmas special, Ciara makes Dean fulfil his only goal before turning 30: finally watching Die Hard. They talk about masculinity, Christmas movies, and who was offered the role before Bruce Willis.

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Ciara and Dean co-host The Sundae Presents, a podcast in which they each make the other watch films they haven’t seen. Dean fulfils a long-held ambition to introduce Ciara to his boys, director Joseph Losey and actor Dirk Bogarde, with their 1963 film The Servant. They talk about its homoeroticism, the class anxieties of 60s London and whether Dean hates James Fox.

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