Abel Ferrera’s directorial career has spanned grindhouse to arthouse, making his debut with a hardcore porn film – 9 Lives of a Wet Pussy (1976) – and ending up, four decades later, the subject of an exhibition at the Museum of Modern Art in New York. The best of his films encompass both ends of the spectrum simultaneously, upending the very idea of each as the other’s opposite: grimy exploitation and transcendent beauty, all at once. 

I wrote about rape-revenge classic Ms .45‘s fortieth anniversary for Crooked Marquee! Read it here.

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