Double Features #7: Genre Buddies

The worst thing a cover of a song can be is faithful. The point of a cover should be to shift a song in a different direction, whether it’s Jimi Hendrix transforming “All Along the Watchtower” from a cryptic folk song to an apocalyptic howl of electric madness or Take That turning Barry Manilow’s dark, dramatic piano ballad “Could It Be Magic” into a synth-driven dance track. It’s fascinating how a change in genre – something so often treated as cosmetic, even superficial – can make the same song sound completely different.

I wouldn’t describe any of these films as covers of each other exactly, but I feel a similar thrill watching them together and thinking about them, the thrill of common elements changed utterly by their context, style and genre. Like they’re singing from the same hymn sheet, but with wildly different approaches to the material. Some of the shifts are smaller than others, but all of them reflect on each other in really interesting ways, and most importantly, all of them rule.

Here’s five more double features.

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