You Should Watch Vic Reeves Big Night Out

One of the most common refrains about Peak TV is that the sheer volume of television produced means there are more weird, interesting, niche shows getting made. If there’s more stuff getting greenlit, there’s a better chance of something outside of the box getting greenlit, not because the gatekeepers are more interested in broadcasting that kind of show, but because they have to cast a wider net to keep up with the demands of just how much original programming they’re pumping out despite previously being able to fill out their schedule with reruns of Rules of Engagement. This is true, up to a point. But for all the weird, interesting, outside-of-the-box shows being made in the last few years – Lady Dynamite, Legion, The Young Pope – none come close to Vic Reeves Big Night Out.

Vic Reeves Big Night Out – no apostrophe, no colon – aired two seasons on Channel 4 in 1990 and 1991. The first television outing for the double act of Vic Reeves and Bob Mortimer, it’s a parody of light-entertainment variety shows, with Vic in the role of host and Bob playing a variety of characters. It might sound like Big Night Out could bend into some familiar shapes – that it would seem recognisably like a light-entertainment variety show, like if you were flicking through the stations it would take a minute or two to realise it’s not. But Big Night Out is one of the weirdest shows I’ve ever seen. It’s a masterpiece of surreal comedy that makes most surreal humour look mundane.

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You Should Watch Freddy Got Fingered

Freddy Got Fingered is generally considered one of the worst films ever made. Roger Ebert said it “doesn’t scrape the bottom of the barrel… This movie doesn’t deserve to be mentioned in the same sentence with barrels.” Leonard Maltin called it “the poster child for all that’s wrong with movie comedy.” CNN’s film critic Paul Clinton said it was “quite simply the worst movie ever released by a major studio in Hollywood history.” The Toronto Star literally gave it negative one star out of five.

There was some dissent at the time – most notably from AO Scott, who wrote that the film’s “comic heart consists of a series of indescribably loopy, elaborately conceived happenings that are at once rigorous and chaotic, idiotic and brilliant” – and since, including a glowing retrospective by Nathan Rabin in The AV Club. But it has yet to reach the critical mass of a cult following to get a director’s cut released, so I’m here to do my part.

Freddy Got Fingered is a masterpiece.

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