One of the things that make double features such a source of fascination, for me, at least, is how two films can bring certain aspects of each other to the fore. Most great films are multifaceted and rich in theme, you can and should look at them from any number of different angles. But it can be hard to do in isolation, when all of a movie’s themes and ideas are inextricably bound up in each other. But place two films side-by-side, or, in this case, one after another, and it’s like the similarities reach out to each other, making both their common ground and their differences more apparent and easier to appreciate.
All ten of these films deal in some way with the rupture between expectation and reality, between how we dreamed our lives would be and how they turned out, between what our society claims to aspire to and what the world is actually like. They all do a great job of navigating these themes alone, but, together, they’re even better.