Alejandro Jodorowsky’s Santa Sangre is the kind of film that makes you fall in love with cinema. Even though it’s almost exactly two hours, it feels longer – not because it’s dull or slow, but because it’s so full to bursting with different styles, genres and stories that it seems impossible that it could all fit inside a two-hour movie. It’s a four-hour sprawling epic that is somehow, through some kind of time warp, only two hours long.
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