Nathan Barley, Chris Morris and Charlie Brooker’s 2005 satirical sitcom about the East London media scene and tech-saturated hipsterdom, was a flop when it first aired on Channel 4: by episode five of its six-episode run, its audience had dropped to just 500,000 (a 2% share). The title character, played by Nicholas Burns, was originally created for Brooker’s TV listings parody website TVGoHome as the star of a documentary called Cunt. Nathan is softened for the sitcom from an outright cunt into an insufferable twat: he’s a self-described “self-facilitating media node”, running a website called Trashbat.co.ck (registered in the Cook Islands) where he posts prank videos and assorted shite. “It’s an online urban culture dispatch,” he says. The sitcom puts Nathan in contrast with Dan Ashcroft (Julian Barratt), a frustrated cynic working at SugarApe magazine (stylised to emphasis “rape”), an obvious parody of Vice. In the first episode, Dan writes an article about the rise of the idiots, lambasting people like Nathan and his colleagues at SugarApe. Nathan and all the other idiots think it’s genius. It’s a brilliantly funny, weird little show, alternating between unabashed silliness and jet-black shock humour.
A second season of the show was never commissioned. Morris and Brooker both went on to bigger things – Brooker created Black Mirror, and Morris continues to be an incomparable genius – as did much of the cast – a host of now big stars play bit parts, from Benedict Cumberbatch to Ben Whishaw – but it has not prompted much of a return to Nathan Barley. Digital Spy once claimed it became a cult hit on DVD, but they would say that, wouldn’t they? Every retrospective on some flop no-one remembers claims it later became a cult hit. It’s not like people are going to Nathan Barley conventions dressed as Nikolai the Barber’s dead cat.Continue reading “Swift as Jackass: The Forgotten Genius of Nathan Barley”