Nearly everyone agrees: Aaron Sorkin’s career lives in the shadow of his early masterpiece. He has tried to recapture the magic of this small-screen triumph over and over again, mostly in vain. “What if I did the same show but set at Saturday Night Live?” he asked, and gave us Studio 60 on the Sunset Strip. “What if I did the same show but set in a newsroom?” he asked, and gave us The Newsroom. It’s a truism of Sorkin studies, generally mentioned within the first two paragraphs of a review of any movie he had a hand in. And everybody’s right—except for one thing: they think it’s The West Wing he’s trying to recreate. 

I wrote about Sports Night for Paste. You can read it here!

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